Past tense narration is just a story telling convention, it doesn't mean that someone is actually telling the story. The New Fit ending was a joke on the convention. I don't think this: http://sexylosers.com/201.html sort of ending would be a good idea here.
I picked past tense narration because it made the most sense for the transformation scene. It's hard to get believable present tense thoughts from a character who is having some intense unknown experience. It would either end up realistic and not contributing to the story, ie "what the fuck is happening!" over and over again; or it would be implausibly level headed ie "hmm I appear to be losing consciousness".
I like the idea of the color scheme slowly changing as the sun sets but things get a little surreal with the reds in the middle of the comic. Also, I'm wondering what you are going to do with the past tense thoughts, it kind of takes the reader away from the moment to moment unfolding of them. Although I think it turned out well in "A New Fit" with the ending.
Looking back almost 10 years later... this moment is still one of the most unique and special ones of our wonderful artist's expressions.
The mix of emotions on Alison's face as she thinks about her boobs for the first time, and the thoughts going through her head as she actually confirms what she is for the first time. It's relatable to some, hot to most, and mesmerizing to all.
If this image ever appears in a full-color scene in a future issue of Lighter Chains, it should come after the similar sketch where Torin is forcibly pushing Allison's leg to the side as he positions himself to penetrate her while his cock hovers over her belly
I would suspect that the shackles had a bit to do with our captives arousal-considering she seemed to reciprocate far to easily (and it matched the glow of the demon) and her eyes shared the glow-I would wager the fellows whom threw her in have a pact with the demon for ill gain... Perhaps I'm reading a bit into this, but like many others I fantasize a story for this snippet of time in these people's lives
Well. the two of them are down in the bottom of a hole. I'd think that she'll have to deal with that, unless, of course, he does.
On the other hand, maybe somebody will enter their little hide-away the same way he did. There didn't seem to be any place to cook, so I think he'll be leaving soon.
Does it seem like the purple glow of her shackles and her eyes seem like it's diminished to anyone else?
He didn't look so awfully large that a woman would automatically reject him. Why did they take an enemy woman and force her to do this? Why an enemy? Is she an enemy? The shackles would strongly suggest that she doesn't want to be there. Are they going to send her back with some kind of a mystical virus weapon?
That is a lot of sperm, and it looks a little odd. Why use someone who would otherwise refuse?
They don't want the big guy (demon?) to get loose. They want to keep the woman - a sorceress, if the tattoos are any indication - under control. She is bait of some project, and the project required a witchy woman. Maybe the child that could be growing on her requires that witchieness to properly develop.
Lots of interesting questions. I'd still like to look in on Alison.
Wouldn't it be terrific way to acquire a spy? Put them through a sex-change and then tell them that they could get changed back if they were a good girl. Or boy.
Once you've finished with uploading the remaining pages of the current POTG volume, will LC V7 the next major project we can expect to see premiered, or is something(s) else on-deck first?
