Mmmmm-hmmmmm,... watching Alison go from sucking Torin's cock balls-deep to so enthusiastically stroking the shaft of his cock while he ejaculates enormous amounts of cum all over her face and into her wide open mouth and even wiping/smearing some of that cum on her cheek/off her cheek!!!
My my my. If you think back to the little man she once was. And how she got lost in the pleasures and joys of her new female self. It was was she wanted without knowing it. How happy she is. almost makes me want to give her back her old male body for some time. Either to just enjoy the shame and perplexity or to give her the idea that she could choose to leave a male. We know she won't. She can't. She'd all to soon ask to be made back into the girl she is meant to be. I I'll promise obediance and all desperate to feel female again, to feel her pussy and tits again.
Then we have her bound in the lightest chains. Her own will.
Dayum, Matilda's boss is super-virile -- what a lucky "girl" she is to be employed by him!!
I love the way she strokes the shaft of his cock with a two-handed approach -- especially the second or third vignette where she gets really enthusiastic about it!! I also love the following vignette which shows his cock twitching with every enormous load of thick cum erupting from its head into her sperm-thirsty mouth and all over her lovely face -- and, lastly but not leastly, who could not love the huge puddle of cum filling the crevice of her generous cleavage and spilled all over her ample mammaries?!
AI videos are getting better and better in a relatively short span of time!!
I'm actually impressed with how well the animator dealt with this. Yes, some weirdness a couple of times, which would probably be corrected with an extra panel or two to smooth the transition, but overall, I feel like this is one of the best results yet.
I mean, yeah, I could talk about all the things that are weird about this, but... who the fuck cares? Good, ethical use of these programs could do a LOT for the animation industry without harming the jobs of animators. Stuff still needs to be drawn and adjusted. Perhaps just with less tedium.
I think it's a good thing you're experimenting with this. Though, since I'm not part of the art community, I mostly say that because it seems to be a thing you're passionate about. I hope you find ways to use these tools to make things more fun for you.
This is another result from ToonCrafter, an AI frame interpolator, this time fed with panels from the opening scene of Lighter Chains Volume 5. There's some weird bits of course, but there's a lot of potential here for automating the "boring" parts of an animation where you just need some blocking and idle animations.
As a storyboarding aid, this can also show what amount of limited animation you can get away with - some of the shots work surprisingly well.
I've had some interesting results upscaling the frames from this in stable diffusion, but I want to see if doing some quick fixes to the animations or training a lora on the source panels can help things.
My favorite frame (apart from how wide-open she has to keep her mouth in order to accommodate the girth of the cock she's being forced to suck) is how her eyes flash open from squinting slits as he thrusts his cock inside one more time just as he ejaculates a huge load into her gaping mouth!!!
It's like Allison's got swept away by the sensation and rhythm of bobbing her head up and down on Torrin's cock, enjoying the taste of his shaft with every thrust of the head past her tongue, that she forgot to prepare herself for the task of swallowing the explosion of cum about to fill her mouth and not choke on it!!
Hey Big Fan, thanks for all the detailed comments - I really enjoyed reading them. This is one of my earliest animations and I've learned a lot since making this. The movement of the arm and body is robotic and follows the 3D reference too closely. The lines are quite sketchy - now and days I work at high res and down sample for the final product to minimize the appearance of errors. I have also learned that it is much easier to refine your key frames before tweening instead of sketching out a million frames and then refining. It'd be much easier to start over than to attempt to salvage the frames here. I might just do that, though :)
This is another of my favorites. I am looking forward to you finishing this one. What I like is not the graphic nature, but the little details. I love the look of surprise at the moment of climax and the continues motion of her body as it continues. The "coup de grace" though is the fact that a bit gets into her mouth and you finish with a quick surprised swallow. I think how you finish up with the eyes here is important.
