Sofia Silksoles 2025-10-19 15:06:4613 ♡
Fuuuuuuck! Im shedding tears here!
When you started POTG, did you always plan to do a diverging timeline or was that something that came about while working on it?
Like... my envy scale is off the scale. I wish this was real lol. Fuck. This is so good.
This uses a video LoRa that I trained on my own artwork of the morale officer. It produces faces and shading style much more in line with my own work instead of reverting to a generic style.
I tried a few different techniques on the background, but I ended up animating it by hand.
I tried a few different techniques on the background, but I ended up animating it by hand.
Gotta pat those cakes into a good shape until they're just right!
It's been a couple years, so I'm not sure. Checking my notes, the core starting idea was "guy fucks himself in a genie induced time loop". And the genie being a dumbass and swapping places with him to get out of trouble was there really early on.
The "timelines don't line up exactly" twist shows up when I start writing page numbers with dialog, but before the notes on what the title should be. So I think I had a general story outline and started blocking out pages, then figured out the details as I wrote the dialog. May or may not have sketched myself into a corner and then patched my way out of it.
The "timelines don't line up exactly" twist shows up when I start writing page numbers with dialog, but before the notes on what the title should be. So I think I had a general story outline and started blocking out pages, then figured out the details as I wrote the dialog. May or may not have sketched myself into a corner and then patched my way out of it.
@Ming-Ming
Volume 1 page 16
Volume 1 page 16
I was just wondering since the final girl is only drawn as a brunette here. If it was to get yourself out of a corner, im sure that was a big eureka moment haha
Yessss! So glad to see you're back! This transformstion is fantastic!
I also wonder if this iteration of the female wisher ACTUALLY acted like this or if she was feeling the same as the POV later and we're just seeing the man's perception of what's happening
Wow, what a lovely body to have! Big boobs, nice figure, and extremely cute little feet! <3
It's an abbreviation for a working title of a cyberpunk-esque story idea I'm toying with. I've got to name the files something and of course the golden rule is you don't abbreviate cyberpunk.
Ooo i cant wait to see what this one will be if there's anything planned for her. I love the athletic wear! It makes me think of a gym or yoga studio that has a "transformative" fitness program for men with some... life changing effects lol.
I will not apologize.
Understandable. The Electrolux logo has the same feature (look at it sideways / rotate it by 270 degrees).
I will never be able to unsee this. Thank you!
I've had to sue them. You shouldn't apologize.
Alizee is a French pop singer who rose to popularity in the early 2000s. Her live performance of "J'en Ai Marre" on the show Hit Machine featured this dance move which made big waves on the pre-youtube internet. It also served as direct inspiration for the female night elf dance emote in World of Warcraft.
Here I have used futuristic technology to make it loop seamlessly and remove the band from the background.
Here I have used futuristic technology to make it loop seamlessly and remove the band from the background.
Whoot! It begins! Here's where the magic starts!
Very nice. Sadly, I can admit to having seen the original... There I go, dating myself again! :-)
Oh wow all kinds of interesting works to look forward to these days! I cant wait!
Like!
"Builiding"
Any word on why the posting stopped? Would love for this to continue
Is Hur a pronoun I'm unaware of Quiet Neighbor? Five times makes me think it's not a misspelling of her
my goodness, deary... you're really blowing up, aren't ya?
If you're going to be turned into a woman, this is hands down the best result.
Whats her name?
Lovely work
Whats her name?
Whats her name?
Waooo so sexy iwannabeher
Youre an artist
Love her face
Iwannabeher ir
Love her face
Iwannabeher ir
Excelent work
Iwannabeher
Iwannabeher
You'd think it'd make more sense to do all of this last
Awesome animation work!
More
Thos is spectacular and amazing.
So incredibly well-made and hot, especially panels 2 & 3. You have really refined the use of A.I. tools (and they have advanced so much) so that you can bring your work to life while fully retaining your signature style, and it is glorious.
Maybe it's still way too complicated and would probably require you to re-compose and re-draw it, but I'd love to someday see the elevator transformation from 'Entry Level Positions' transposed into animation. Or the transformation in 'Deep Breath'.
Question: Way down the line, as you keep getting better at this and the A.I. tools become more advanced, easier to use and more reliable (and, hopefully more affordable), do you see yourself making a full-fledged animated film, either a short or a feature (with spoken dialogue, sound effects, music score, etc), or is this all more just for fun, to see what you can do, as a side-activity for the comics? Either is cool, I'm just curious.
Maybe it's still way too complicated and would probably require you to re-compose and re-draw it, but I'd love to someday see the elevator transformation from 'Entry Level Positions' transposed into animation. Or the transformation in 'Deep Breath'.
Question: Way down the line, as you keep getting better at this and the A.I. tools become more advanced, easier to use and more reliable (and, hopefully more affordable), do you see yourself making a full-fledged animated film, either a short or a feature (with spoken dialogue, sound effects, music score, etc), or is this all more just for fun, to see what you can do, as a side-activity for the comics? Either is cool, I'm just curious.
Im curious as to the A.I. tools you use.
Oh my God... everything was captured so perfectly in this. How long did this take you?
I love her facial expression of shock, disbelief, and awe as her chest slowly and fluidly rises and blows up.
Wow, that's the best illustration of mind alteration I've ever seen, original and creative concept. Really conveys the brutality and ruthlessness of it in action.
Holy hell, that is hot and horrifying in all sorts of ways. And quite a different progression as well, usually I would fantasize about something like this happening at the end after all the physical changes, especially with a fade to black/light fading as you alluded to of unconsciousness.
Holy shit. If this had sound I might actually just cum from watching without touching myself.
I'm wondering if she's still got that cock when she comes to or not.
I just noticed that comics which contains animation doesn't show up in the animation tab. In a comic a page has comic form and animation firm, u can see animation form. You can see animation if u access the comic then the page then clicking animation. If u go to animation tab, there's no section for animation of comics
Sexy scene.
No way, especially with that form! I mean just look at her triceps.
My primary tool is still WAN2GP by DeepBeepMeep, specifically using the Wan2.1 model. It seems to give the best results and is trainable on a 24GB card, so there are lots of loras available and I can make my own for style. I vibe coded a python script to stabilize the colors between frames and one to do rife crossfades between clips via a blender plugin. I might take another crack at the color stabilization, it's still a problem and I've got some ideas.
I've experimented a tiny bit with seedance 2.0, and in some ways it's very impressive, but it also has a problem where animation regresses to the mean animation style, which is a crummy flash cartoon with minimal movement - which defeats the purpose. Also generating a seedance video costs $1 where generating a video locally costs $0.02. Also there's agressive content filtering. Still might be usefull for some scenes.
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How long it takes is tricky to answer because there were different phases with different amounts of attention and effort required. First I cut the panels out and did some test runs trying to get a single animated sequence, but the results were pretty abstract so I decided to animate each frame individually. I drew keyframes for the flat chested versions, then a little bit of editing of the original panels to get clean plates, then I could use those as start and end keyframes. Then it was a matter of queuing up jobs to run over night and filtering them down to the good stuff. I generate a batch of clips, pick out the good ones, then queue up more depending on what's working and what isn't. I generated about 400 clips, sifted down to 95 good ones, then the final page uses 13. Probably 100+ gpu hours, which is a lot, but I made several mistakes and had to redo things.
Entry Level and Deep Breath both have some tight shots and overlapping panels that make it difficult to animate. I do want to get more into animated shorts, so for future projects I'm thinking about moving to more of a storyboard style where every panel is a clean 16:9 shot. I've got a little experimental 30 second short of the morale officer undressing where I drew keyframes specifically to animate with the AI, and it worked pretty well but stalled out a bit on some shots. It's got music and foley.
AI voice acting is not happening with current techniques. Sometimes I can get good results for a 10 second clip from LTX2, like maybe an instant loss or imagination teaser, but for longer stuff there's just too many variables that don't fit into a text prompt. Character consistency, speed, tone, emphasis, emotionality, pauses, there would have to be a dedicated timeline interface for these things and I haven't seen anything close to that. So we still need humans for now.
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Organization is an ongoing problem. When I started the site I had ~200 pics and now there are > 4000. Animations like this are currently in the AI section: https://satinminions.com/AI.html I could make an "Animated Comics" subsection under animation, and probably get rid of the "ai enhanced" section which is Dain/RIFE frame interpolation. There are a couple of non-ai comic pages that have animation as well, which could fill out a subsection nicely. Though some people are touchy AI being co-mingled with traditional frame by frame and I want to be as transparent as possible. At some point AI, if used correctly, is just a tool. But what do you think?
I've experimented a tiny bit with seedance 2.0, and in some ways it's very impressive, but it also has a problem where animation regresses to the mean animation style, which is a crummy flash cartoon with minimal movement - which defeats the purpose. Also generating a seedance video costs $1 where generating a video locally costs $0.02. Also there's agressive content filtering. Still might be usefull for some scenes.
---
How long it takes is tricky to answer because there were different phases with different amounts of attention and effort required. First I cut the panels out and did some test runs trying to get a single animated sequence, but the results were pretty abstract so I decided to animate each frame individually. I drew keyframes for the flat chested versions, then a little bit of editing of the original panels to get clean plates, then I could use those as start and end keyframes. Then it was a matter of queuing up jobs to run over night and filtering them down to the good stuff. I generate a batch of clips, pick out the good ones, then queue up more depending on what's working and what isn't. I generated about 400 clips, sifted down to 95 good ones, then the final page uses 13. Probably 100+ gpu hours, which is a lot, but I made several mistakes and had to redo things.
Entry Level and Deep Breath both have some tight shots and overlapping panels that make it difficult to animate. I do want to get more into animated shorts, so for future projects I'm thinking about moving to more of a storyboard style where every panel is a clean 16:9 shot. I've got a little experimental 30 second short of the morale officer undressing where I drew keyframes specifically to animate with the AI, and it worked pretty well but stalled out a bit on some shots. It's got music and foley.
AI voice acting is not happening with current techniques. Sometimes I can get good results for a 10 second clip from LTX2, like maybe an instant loss or imagination teaser, but for longer stuff there's just too many variables that don't fit into a text prompt. Character consistency, speed, tone, emphasis, emotionality, pauses, there would have to be a dedicated timeline interface for these things and I haven't seen anything close to that. So we still need humans for now.
---
Organization is an ongoing problem. When I started the site I had ~200 pics and now there are > 4000. Animations like this are currently in the AI section: https://satinminions.com/AI.html I could make an "Animated Comics" subsection under animation, and probably get rid of the "ai enhanced" section which is Dain/RIFE frame interpolation. There are a couple of non-ai comic pages that have animation as well, which could fill out a subsection nicely. Though some people are touchy AI being co-mingled with traditional frame by frame and I want to be as transparent as possible. At some point AI, if used correctly, is just a tool. But what do you think?
This animation actually has 4 (I think) RIFE interpolated frames in it, but you can't even tell where they are. I only used them to change the timing, not to make it ultra smooth and uncanny.
After the sword left behind is concluded, this could be another good comic.