I imagine the demons as semi-modern interlopers on a more primitive fantasy world. The have some raw technology advantage and some magic-as-technology-replacement. For instance, the lights in vol. 2 page 7 may be gas lighting or some kind of magical component that gives off a low glow indefinitely. Their tech advantage is not overwhelming, but it's enough to make everyone nervous leading to minor conflicts.
Perhaps humans are seen as a resource used to create a population more suitable to this world, or perhaps they just find them particularly enjoyable in bed. Either way, human/demon half breeds like mistress are common in their society.
I dunno. I suppose if I upload on Wednesday but you think I upload on Saturday, so you don't come back till Saturday, the picture will be there, so it'll be just like I uploaded on Saturday.
I go per-page instead of per-month because I don't want to take money if I don't upload anything. Patreon lets you to set a monthly limit, so you won't get burned if I upload a ton of pages at once. I usually aim for one page a week.
I have a story outline but it's way too long. The part that appeals to me the most is actually before the good/bad page where lady Link would have a reasonably consensual encounter with Ganon without knowing that he's the 'bad guy'. This would then make any future conflicts rather embarrassing for her.
This is currently a one off, even though it seems like it isn't. The other page is something else entirely, which is why they're both in the miscellaneous section.
This was a patreon request, which I have done very few of, but it gave me some good ideas on how to put the story together so there may be more of this.
Super Saiyan, a transformation state from the popular anime Dragon Ball Z. It involves screaming a lot and making hair turn yellow and stand up, thereby increasing your power level.
I try to upload a page once a week (although I have failed lately). New stuff goes up on patreon first, then 2 weeks or so later it goes up for the public.
Nah, they're attached pretty low down. Check out the cross sections here: http://i.imgur.com/bJ4uEEh.jpg Real life strap-ons are often higher up for structural reasons, but in this particular fantasy universe strap-on technology is highly advanced.
I'm currently developing my own animation software and I've set the somewhat ambitious goal of not posting anything until I can make it in my own program. Line animations probably aren't too far off.
I don't always have something specific in mind when I change the color palette, but I like the varied interpretations. As far as magical manipulation, conventional manipulation, or the transformation being more than skin deep - slave girl doesn't know so we don't either.
Keep in mind that since she's the one 'telling' the story, we might not be getting a completely honest assessment of her motivation.
On this page, I found that past tense allowed for some interesting ways to describe things. For example, if you convert the second paragraph to present tense it just doesn't work. Past tense makes the introspection a more believable.
Going forward, the past tense narration can be used to convey embarrassment and post-act rationalization. The thoughts can say "it's not like I wanted to" but the action can clearly indicate that she did.
Past tense narration is just a story telling convention, it doesn't mean that someone is actually telling the story. The New Fit ending was a joke on the convention. I don't think this: http://sexylosers.com/201.html sort of ending would be a good idea here.
I picked past tense narration because it made the most sense for the transformation scene. It's hard to get believable present tense thoughts from a character who is having some intense unknown experience. It would either end up realistic and not contributing to the story, ie "what the fuck is happening!" over and over again; or it would be implausibly level headed ie "hmm I appear to be losing consciousness".
Willing/unwilling, restrained/unrestrained, slow buildup/quick action, there's clearly no pleasing everyone.
I'm going to try to strike a balance between a plausible breaking-in period and actually having some action. That probably means there will be some teases and some people will be upset, but I think we can handle it.
>Will this kind of limited animation be featured in all of vol. 2 or just in certain parts like the cover?
I'm going to take it one page at a time and see what works and what I have time for.
>Also any chance the slave girl's dress happened to be made from her old shirt?
I imagine the cloth weight to be different, with her 'dress' being much lighter. So no. I suppose I drew his shirt as transparent through most of the transformation but that was mainly during the acid-trippy part where the coloring is there to convey emotion and action rather than actual appearance.
I ran out of pages at the same time as I went on a physical vacation, I was going to work ahead but I got caught up in other work so I had nothing to upload for a while.
I'm back now and working on the next page, still in the line art phase. I had a bit of difficulty since I'm a bit out of practice.
Sheik is already gender-swapped (disguised?) princess Zelda, so now we're swapping her back? Or keeping him male? Is he/she the top or bottom? I'm gonna need a flowchart here.
>So is she tearing up because she realizes she has zero chance of being a man again or is it something else?
Well she's naked, trapped in a tiny room, being mocked by scary person who has a huge amount of control over her - it's a high stress scenario. I've seen a few TG comics with crying and it usually comes across as an unpleasant tonal shift or cheap ploy to make things 'mature'. That's not really where I want to go with this, so this is probably as teary as things are going to ever get.
>Where was she keeping that dress this whole time?
Slave girl has become significantly shorter from the transformation. Her change in height is now more apparent to her because she has someone to compare to. I don't really know how to make it clearer in the comic without "oh now i am teh little girl" type narration.
