That's it, Alison, show how good a little you can be for your daddy and worship his well-endowed cock and demonstrate for him what an accomplished cocksucker you are and swallow as much of his epic load as you can and let him anoint you with a copious facial with what of his offered man-milk your mouth can't swallow!
Alison's eyes and facial expression in this animation defy understanding in the same way the Mona Lisa does. Is she blankly staring at her freshly grown tits just after being led off by a male, fresh post-transformation? Or is she just staring at the ground thinking about any normal daily task while her new, but adapted-to body now walks in it's natural gait? The world shall forever debate.
This must have taken a billion dog years to animate and color. Her movement, the complicated light shafts, and the way you can barely see her nipples through the dress are all amazing. I love this!
What I like the most about this panel is the ambiguity of the positioning of her hand on the doorknob behind her: is she trying to turn it for an escape route away from her tormentor; or is it merely clasping its solidity, needing an anchoring for the leverage it supplies; or is the manual attention he's devoting to her pussy and clit melting her resolve to flee the scene and, instead, encouraging her to surrender to his carnal manipulations, collapsing against the door in preparation for the fucking she's about to receive from that enormous cock pressing against her abdomen and chest?
It could be, but this started out as my interpretation of Pirotess under some kind of mind control. I've actually drawn female link a couple times, some of which are on the site. She's got a character tag.
Ooo, I love seeing your interpretation of a gender-swapped Inuyasha -- any chance we'll ever see this fleshed-out into a full-color series, or will this always exist only as a one-off, stand-alone sketch concept?
Me too, but the current models can't really do that. If you try, it often has problems where the iris is malformed or missing entirely. Even with these staring-into-the-distance shots, I had to manually retouch the eyes on most of them.
This is an expansion over your technique just when I thought I had gotten familiar with your style you surprise me with something brand new and amazing...
Goooood girl... very good girl. Look at you trying to talk while you're absolutely reeling from the euphoria you get for being an engineered slut. Kudos for being barefoot too. Now clean up your mess thoroughly. Bye bye now.
The character is pasted into the background. The AI model is quite GPU intensive so you don't want to waste render time on parts of the image that aren't supposed to be animated. Even if they remain static like you want, there will often be color drift and artifacts.
For this image, I cropped the character closely and rendered at 544x960. This produces clips 5 to 8 seconds long. I have some color stabilization and rife crossfade scripts to stitch multiple clips together. There was one shot where her hand went out of frame, so I ran a video outpainting pass to fill that in.
I put all the character clips together then ran auto-masking on it. Then a bit of manual touchup on the mask. I went back to the original psd file and made a clean background plate and placed the masked video of the character on top of that.