I love the less-obvious touches, like the green panels and ribbed front on Mistress' bodysuit, and the way she's painted/covered her horns to look like Bowser's.
Interesting. Not quite sure what is happening with this dialogue-less storyline but it was good art at least. Seems the lust cycle is activating again but I admit to not understanding the plot.
It can be difficult if you're going for a super realistic style with lots of diffraction - but less is more in this case. Notice I didn't really draw any water, I just drew some shiny bits in the air.
>It's interesting that she knew what to expect.
She looked around a bit when she first "arrived". I can't show everything because it'd take up too many panels. Also I'd have to think of everything in advance.
>magic
Eh, I think if you're going to build a huge demonic summoning/containment feature into your floor, you'll probably take the time to make it drain properly. The "towel rod" is actually a lever that controls the water - it's strictly mechanical. I'd imagine each of the alcoves addresses some need, much like the elements on the points of a traditional pentagram.
It certainly is a good display of water splashing around. Very nice. I've read that water is hard to draw.
It's interesting that she knew what to expect. That suggests that she has been down there before or that there is something about that area that tells her she can take a shower there. Maybe the possible towel rod on the wall told her what to expect. It is a fascinating look at what might be a fairly mundane, everyday use of magic (after all, what is keeping the water from making a mess?) or possibly just a tiled area with other methods of limiting where the water splashes.
I vote for magic, since that alcove is very shallow.
Since I can't get a good look at the spot, I can't guess which.
I would suspect that the shackles had a bit to do with our captives arousal-considering she seemed to reciprocate far to easily (and it matched the glow of the demon) and her eyes shared the glow-I would wager the fellows whom threw her in have a pact with the demon for ill gain... Perhaps I'm reading a bit into this, but like many others I fantasize a story for this snippet of time in these people's lives
If you look, you can see the purple crap floating off of and vanish from the shackles. Whatever purpose they were needed for has been completed upon this dark "altar."
Well. the two of them are down in the bottom of a hole. I'd think that she'll have to deal with that, unless, of course, he does.
On the other hand, maybe somebody will enter their little hide-away the same way he did. There didn't seem to be any place to cook, so I think he'll be leaving soon.
Does it seem like the purple glow of her shackles and her eyes seem like it's diminished to anyone else?
He didn't look so awfully large that a woman would automatically reject him. Why did they take an enemy woman and force her to do this? Why an enemy? Is she an enemy? The shackles would strongly suggest that she doesn't want to be there. Are they going to send her back with some kind of a mystical virus weapon?
That is a lot of sperm, and it looks a little odd. Why use someone who would otherwise refuse?
They don't want the big guy (demon?) to get loose. They want to keep the woman - a sorceress, if the tattoos are any indication - under control. She is bait of some project, and the project required a witchy woman. Maybe the child that could be growing on her requires that witchieness to properly develop.
Lots of interesting questions. I'd still like to look in on Alison.
Wouldn't it be terrific way to acquire a spy? Put them through a sex-change and then tell them that they could get changed back if they were a good girl. Or boy.
@Admin , I believe the answer from most people would be both. I personally love the Hyrulian dress. Granted, the Twili and Zora versions are just as dining, though in another category. Would definitely love to see more Lady Link on the future. Your work is absolutely amazing.