I'm liking the look -- I could see Alison trying it on for size and then Torrin removing each item from her while explaining in detail what he likes (or doesn't like) about her dress. If he likes it, he rewards her. If he doesn't he punishes her. And think of the opportunities that gives Alison either way! :-)
That worked very well. I try to focus on the details to see how things go, and the only real issue that I can see here is her right leg, when she slides down the wall, seems to be at such an awkward angle that it looks like she broke it badly. If memory serves, though, that may have been true in the original drawing as well, and it didn't detract enough from that to kick me out of my "suspension of disbelief" mode to spoil the flow of the story. (So, I guess I'm saying that it may not even be an issue caused by animation.)
I like it. Seems to me you've really gotten more or less where you wanted to go with this, and even the "lifelike" version is still way better when you started down this path. I'd love to see "Better This Way," or "Lighter Chains" shown this way.
Well done. I wondered if it was a short loop (I presume it's a long one), and noticed the drool changed each time. Your animation work is really doing well.
They say the hair is a good indicator of excellence in animation and also the most difficult thing to get right. This is not bad in that regard (plus she's hot and I have a thing for women in lingerie and wearing glasses).
Another very good animation here. It's like night and day between this, and even just a few months ago when you were still fighting lousy software and dealing with the learning curve. Keep it up! Looking forward to your first fully animated chapter of Lighter Chains! ;-)
There's a little skip in the eyes and teeth on this one. That may be an attempt to depict movement, but it might also be a slow software thing that causes pixilation a bit. Still an improvement over the early animations, though.
These are steadily improving; the breasts and hair both look very natural in this animation, much better than some of the earlier tries (and to be clear, I blame the software, much more than the artist, here).
Interesting effects designed into the underlying drawings of course, but the animation really handles the water well, which is actually kind of surprising, given all the moving parts.
That's a pity, because I know that her story is what first brought your excellent work to my attention. I'd love to see more of her in future work (and I suspect I speak for the majority of us here). Having said that, I look forward to ANYTHING you choose to show us. Keep up the great work!
Very impressive! I think that worked a lot better than I was thinking it ever would based on some of the software you've tried before. I'd love to see some of the Lighter Chains scenes rendered this way.
